FROM THE RAP SHEET
Critic Sarah Weinman, now a big honcho at the subscription-only Web site Publishers Marketplace, offers this terrific news:
At least two bookstores will open in spaces that formerly housed mall-based chain bookstores. Wakefield Books in Wakefield, R.I., will open tomorrow in a space once occupied by Waldenbooks, which closed its doors last month. The new store is a joint venture of Wakefield Mall owner Jeff Levy, David Didriksen, owner of Willow Books, and Susan Novotny, who owns stores in Albany and Troy, N.Y., and is staffed with former Waldenbooks employees. In addition, Montpelier, VT-based new and used store Rivendell Books will open a second location in the Berlin Mall, in space that had been occupied by a Waldenbooks that closed a year ago. And Shelf Awareness also reports that Columbia Mall in Grand Forks, N.D., is seeking a new bookstore to replace a closed Walden and a closed Dalton, which had combined revenues of more than $2 million.For those of us with serious bookstore habits, this is a welcome portent.
Reflections by award-winning maritime historian Joan Druett, author of many books about the sea
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Sunday, February 13, 2011
Brave new contenders replacing defunct Waldenbooks stores
THE CROW'S NEST
While I had my head down working on the index for Tupaia, the Remarkable Story of Captain Cook's Polynesian Navigator, which is being published by Random House New Zealand in May, a fascinating question came into the maritime history discussion list, from 'Pirate Lady' Cindy Vallar:
'I was watching yesterday's episode of Jeopardy!,' she began. 'One of the answers puzzled me.'
It claimed that the answer was: 'The lookout platform named for the bird that would be released to find the nearest land in bad weather.'
Obviously, as Cindy went on, the question was 'crow's nest' -- but is the answer right? 'I've not heard of ships carrying crows for this purpose before,' she confessed.
Well, neither had I -- and it electrified the discussion list, too. Really, the mental image of a seaman clambering the rigging with a crow gripped in one hand, and then releasing the poor creature to flap off to the nearest shore, is pretty ridiculous. So where did it come from?
Our folklorist, Morgy, also saw the program, and was equally mystified. 'Could we be dealing with another one of those wonderful widely disseminated "origin stories" that have come so popular since the inception of photocopiers and the internet?' she asks.
the term.'
Alexandre Monteiro tells us even more: 'Two crows, perched at both the stern and bow of a ship symbolize the city of Lisbon since 1173. It was in that year that the body of Saint Vincent was brought here... On a ship guided by crows.'
My own two cents worth is simply that the original crow's nest designed by Scoresby had some kind of protection -- like a canvas wrapped around hoops -- to shield the lookout in Arctic regions. (Yankee whalemen stood in the open hoops.)
But why he called it a crow's nest, I do not have a notion.
'I was watching yesterday's episode of Jeopardy!,' she began. 'One of the answers puzzled me.'
It claimed that the answer was: 'The lookout platform named for the bird that would be released to find the nearest land in bad weather.'
Obviously, as Cindy went on, the question was 'crow's nest' -- but is the answer right? 'I've not heard of ships carrying crows for this purpose before,' she confessed.
Well, neither had I -- and it electrified the discussion list, too. Really, the mental image of a seaman clambering the rigging with a crow gripped in one hand, and then releasing the poor creature to flap off to the nearest shore, is pretty ridiculous. So where did it come from?
Our folklorist, Morgy, also saw the program, and was equally mystified. 'Could we be dealing with another one of those wonderful widely disseminated "origin stories" that have come so popular since the inception of photocopiers and the internet?' she asks.
'This sounds like a natural conflation of two different episodes in nautical history,' says Nicholas Blake (who gave references). 'The crow's nest in the modern sense of lookout position high in the mast was invented by Scoresby senior in 1807. Scoresby junior, who describes its invention, doesn't mention why it got its name, but it's not unreasonable to infer it was from its similarity to a crow's nest. The Vikings were said to carry crows, but they didn't have a platform to launch them from.'
'Aha,' says Marc James Small. Wikipedia (as is often the case) could be to blame. 'The Wikipedia entry for crow's nest cites a US Navy pamphlet from a decade or so back --- and
gives a hot link to this pamphlet -- which accepts the releasing of crows as the origin of the term.'
Alexandre Monteiro tells us even more: 'Two crows, perched at both the stern and bow of a ship symbolize the city of Lisbon since 1173. It was in that year that the body of Saint Vincent was brought here... On a ship guided by crows.'
My own two cents worth is simply that the original crow's nest designed by Scoresby had some kind of protection -- like a canvas wrapped around hoops -- to shield the lookout in Arctic regions. (Yankee whalemen stood in the open hoops.)
But why he called it a crow's nest, I do not have a notion.
Thursday, February 10, 2011
A TOUCHING NOTE FROM WAITANGI DAY
In the letters to the editor section of today's Wellington Dominion Post
I can't resist putting this one out on the web. Phil Mitchell reminisces about a charming Waitangi Day experience.
The Treaty of Waitangi was never mentioned ...
I can't resist putting this one out on the web. Phil Mitchell reminisces about a charming Waitangi Day experience.
At the mouth of the Waitohu Stream two Maori men were dragging a flounder net through the surf. The net became tangled.
"Need a hand?" I asked.
"Kia ora, bro," came the reply from the smiling dreadlocked one. I helped untangle it, while Flynn played with two-year-old Hone.
The drag was completed, with a good haul of flounder.
We stood on the beach chatting while Hone proudly displayed the catch to Flynn. Both boys inspected the fish closely, periodically squealing with delight.
Eventually it was time to go. "Take a couple with you, bro."
"You sure?" I said. "Plenty there," was the reply.
We wandered back up the beach, Flynn carrying a flounder and grinning from ear to ear. "Bye bye Hone," he called.
POWELLS' MUCH LESS CUDDLY NEWS
From Publishers Lunch.
Powell's Lays Off 31 Staffers, Citing the "Unprecedented, Rapidly Changing Nature" of the Book Industry
On Tuesday Powell's Books laid off 31 staffers, or approximately 7 percent of its unionized work force, at its stores in Burnside and Beaverton and two industrial warehouses, a move they cite as a response to the "unprecedented, rapidly changing nature of the book industry." In a statement Powell's cited "changing consumer behavior" - namely, the rise in e-book sales - as causing a significant impact over the past three years, along with "an industry-wide decline in new book sales, rising healthcare costs, and the economy."
President Emily Powell (pictured with father Michael) stated "I feel it is critical to make some very difficult adjustments at this time, to address our current reality and to prepare the company for success in the future, a future that looks very different than our business today." Those remarks echo what her father Michael Powell said last summer when turning over executive responsibility in addressing the rise of ebooks and online book sales: "It's certainly shaking up the industry, and retailers aren't sure what their role is. It's an industry with an enormous amount of flexibility, and I hope with a little help from me, Emily is going to have to make some changes to help Powell's compete and survive."
The announcement notes that Michael Powell "has been involved in the changes" and he adds, "Emily's transition to leadership of the business happened at a precarious time, at a crossroads in our business. I'm confident her fresh ideas and her understanding of technology will steer the company successfully forward."
Powell's Lays Off 31 Staffers, Citing the "Unprecedented, Rapidly Changing Nature" of the Book Industry President Emily Powell (pictured with father Michael) stated "I feel it is critical to make some very difficult adjustments at this time, to address our current reality and to prepare the company for success in the future, a future that looks very different than our business today." Those remarks echo what her father Michael Powell said last summer when turning over executive responsibility in addressing the rise of ebooks and online book sales: "It's certainly shaking up the industry, and retailers aren't sure what their role is. It's an industry with an enormous amount of flexibility, and I hope with a little help from me, Emily is going to have to make some changes to help Powell's compete and survive."
The announcement notes that Michael Powell "has been involved in the changes" and he adds, "Emily's transition to leadership of the business happened at a precarious time, at a crossroads in our business. I'm confident her fresh ideas and her understanding of technology will steer the company successfully forward."
Wednesday, February 9, 2011
THE POWELLS PUDDLY AWARDS FOR 2011
Every year, the great Powells internet bookstore asks readers to nominate favorite books
And the 2011 winners are in.
And the 2011 winners are in.
The winner of the fiction award is The Help, by Kathryn Stockett.
This intriguing tale is about a young white woman writer in 1960s Mississippi, who aspires to compile the secret stories of black domestic workers.
Inveigled by the novel idea, two black women risk not just their jobs but their lives to collect the interviews she needs.
And the winner of the nonfiction award is The Immortal Life of Henrietta Lacks, by Rebecca Skloot.
Henrietta Lacks was black, poor, a tobacco farmer, and mother of five. In short, she lived very much as her slave ancestors did. When she was terminally ill of a vicious form of cervical cancer, she became a test patient at John Hopkins.
During her treatment and after her death, researchers harvested her cancer cells, asking the permission of no one. This was pretty run-of-the-mill. What was unusual was what happened next.
Those cells became one of the most important tools of medicine ever. Grown in laboratories, they were vital for developing polio vaccine, and led to great advances like in-vitro fertilization, and the mapping of genes.
Yet, sixty years after her death, Henrietta Lacks lies in an unmarked grave.
MASSIVE REORGANIZATION OF BLOOMSBURY
Bloomsbury initiates a positive and far-reaching response to the challenge of the digital age
The company announced a worldwide reorganization, effective March 1, that eliminates their geographically-driven structure and replaces it with four global publishing divisions.
Their offices in the UK, USA, Germany and, most recently, Australia, will each serve the four publishing divisions.
Will their executives be spending as much time in planes as lesser beings spend in cars? Hopefully not. After all, it is a response to the opportunities of the internet, as well as the challenge of the digital revolution.
Chief executive Nigel Newton says in the announcement, "The global market place is changing rapidly, with a dramatic increase in digital publishing and global customers, such as Amazon, Google and Apple, who are not focused within national boundaries. For Bloomsbury to take best advantage of this, we are restructuring on a global basis to better maximixe the opportunities the future will bring. We believe this will give us a real advantage in our mission to publish books of excellence and originality."
The move is certainly revolutionary. Charkin adds that he believes Bloomsbury is the first trade publisher of scale to reorganize itself in global fashion like this. "Digital technology is affecting everyone irrespective of where they sit" among Bloomsbury's offices, Charkin said. "Our biggest customers are now global and we need to reflect their global nature as well as our own." In the future, the company's financial reports will add data according to the four new divisions.
Let's hope it works better than the digitization of the National Archives ....
Publisher's Lunch reports that Bloomsbury is to reorganize into an international conglomerate, dropping country focus for global publishing divisions
The company announced a worldwide reorganization, effective March 1, that eliminates their geographically-driven structure and replaces it with four global publishing divisions.
- adult (run by Richard Charkin)
- children's & educational (which will be looked after by Macmillan UK Children's managing director Emma Hopkin)
- academic & professional (under Jonathan Glasspool)
- information & business development (still headed by Kathy Rooney).
Their offices in the UK, USA, Germany and, most recently, Australia, will each serve the four publishing divisions.
Will their executives be spending as much time in planes as lesser beings spend in cars? Hopefully not. After all, it is a response to the opportunities of the internet, as well as the challenge of the digital revolution.
Chief executive Nigel Newton says in the announcement, "The global market place is changing rapidly, with a dramatic increase in digital publishing and global customers, such as Amazon, Google and Apple, who are not focused within national boundaries. For Bloomsbury to take best advantage of this, we are restructuring on a global basis to better maximixe the opportunities the future will bring. We believe this will give us a real advantage in our mission to publish books of excellence and originality."
The move is certainly revolutionary. Charkin adds that he believes Bloomsbury is the first trade publisher of scale to reorganize itself in global fashion like this. "Digital technology is affecting everyone irrespective of where they sit" among Bloomsbury's offices, Charkin said. "Our biggest customers are now global and we need to reflect their global nature as well as our own." In the future, the company's financial reports will add data according to the four new divisions.
Let's hope it works better than the digitization of the National Archives ....
Tuesday, February 8, 2011
INCEPTION and SOCIAL NETWORK win Writers Guild awards
The BBC reports that Inception and Social Network have won big at the Writers Guild of America awards.
Inception, which was by far my favorite movie of 2010, won best original screenplay, while The Social Network was named best adaptation.
I found the film compelling for its astounding visual effects as well as its startling originality. It most surely gave a whole new meaning to the word 'architecture,' as well as battering the viewer with mindbending new concepts. Fine acting from all the cast did not hurt, either. Personally, I would rate it as a ground-breaker on the level of 2001 and Blade Runner.
Inception, which was by far my favorite movie of 2010, won best original screenplay, while The Social Network was named best adaptation.
I found the film compelling for its astounding visual effects as well as its startling originality. It most surely gave a whole new meaning to the word 'architecture,' as well as battering the viewer with mindbending new concepts. Fine acting from all the cast did not hurt, either. Personally, I would rate it as a ground-breaker on the level of 2001 and Blade Runner.The other big contender, The King's Speech, was ineligible, being ruled out because union-recommended contractual methods were not followed. Or something like that. Legal union stuff that is beyond my ken. I doubt the makers are all that unhappy, though, the film already being nominated for 12 Oscars.
It will be interesting to see what film wins the Oscar for best original screenplay, as Inception is another nomination.
The birth of realism in literature
The science of extrapolating from detail
Called "Lost and Gone Forever," and written by Richard Conniff, it describes the impact of the discovery that species could become extinct on scientific thinking in the era we now call "the Age of Enlightenment." The trigger was a lecture given by a young French anatomist, Georges Cuvier, at the National Institute of Sciences and Arts in Paris in January 1796. Basing his logic on the comparative anatomies of various elephants, he argued that some species that had roamed the world in the past were not around any more.
(The bits of elephant anatomy included a massive tooth from some gigantic pachyderm that had been fossicked from somewhere along the Hudson River in 1705, called the "Incognitum" -- a favorite word in those days -- because no one had ever glimpsed the animal it had come from.)
In a word, these species were extinct.
Shock. Horror. The world was supposed to be exactly the way God had made it, with worms and jellyfish at the bottom and mighty man, Homo sapiens, at the top. Nothing, ever, was wiped out, like some kind of silly mistake. It was an argument that would reach fever pitch with Darwin's Origin of Species, and is still around today.
Intriguingly, there was another development of this theory, one that was literary, not scientific. A French novelist, Honore de Balzac, was inspired by Cuvier's knack of building up the concept of a whole animal from a fragment. As Conniff observes, "Balzac now set out to do the same thing in fiction, building characters on the smallest details of gesture and dress. It was arguably the birth of literary realism."
Tennyson, on the other hand, took inspiration from the idea of extinction itself -- grim inspiration, as testified by famous lines from his elegy, In Memoriam A.H.H
., written after the premature death of his friend, Arthur Henry Hallam.
Would Nature treat man, her greatest and last work, just as she had the mysterious Incognitum?
Or seal'd within the iron hills?
New York Times Opinionator has another interesting item today, one that opens an interesting window into the development of a literary technique, though the topic is scientific.
Called "Lost and Gone Forever," and written by Richard Conniff, it describes the impact of the discovery that species could become extinct on scientific thinking in the era we now call "the Age of Enlightenment." The trigger was a lecture given by a young French anatomist, Georges Cuvier, at the National Institute of Sciences and Arts in Paris in January 1796. Basing his logic on the comparative anatomies of various elephants, he argued that some species that had roamed the world in the past were not around any more.
(The bits of elephant anatomy included a massive tooth from some gigantic pachyderm that had been fossicked from somewhere along the Hudson River in 1705, called the "Incognitum" -- a favorite word in those days -- because no one had ever glimpsed the animal it had come from.)
In a word, these species were extinct.
Shock. Horror. The world was supposed to be exactly the way God had made it, with worms and jellyfish at the bottom and mighty man, Homo sapiens, at the top. Nothing, ever, was wiped out, like some kind of silly mistake. It was an argument that would reach fever pitch with Darwin's Origin of Species, and is still around today.
Intriguingly, there was another development of this theory, one that was literary, not scientific. A French novelist, Honore de Balzac, was inspired by Cuvier's knack of building up the concept of a whole animal from a fragment. As Conniff observes, "Balzac now set out to do the same thing in fiction, building characters on the smallest details of gesture and dress. It was arguably the birth of literary realism."
Tennyson, on the other hand, took inspiration from the idea of extinction itself -- grim inspiration, as testified by famous lines from his elegy, In Memoriam A.H.H
Would Nature treat man, her greatest and last work, just as she had the mysterious Incognitum?
Such splendid purpose in his eyes
Who roll'd the psalm to wintry skies
Who built him fanes of fruitless prayer,
Who trusted God was love indeed
And love Creation's final law --
Tho' Nature, red in tooth and claw
With ravine, shriek'd against his creed --
Who loved, who suffer'd countless ills
Who battled for the True, the Just,
Be blown about the desert dustOr seal'd within the iron hills?
Monday, February 7, 2011
SEALING IN THE SOUTHERN OCEANS
History of sealing in the South
Friend, independent historian, and all-round amazing researcher Rhys Richards has produced yet another book, this one being a collection of essays on the topic of the history of sealing on our Australasian and Sub-Antarctic shores.
Hunt it down @ http://herex.live.egressive.com/article/book-release-sealing-in-the-southern-ocean
Or contact the author: mrhys@paradise.net.nz
Or contact the author: mrhys@paradise.net.nz
AOL TO BUY HUFF POST
Online company AOL is buying Huffington Post in a $315 million deal.
In the opinion of this economic amateur, this is a huge bargain. Huff Post has 25 million hits a day, one of them mine ... And that is not counting all the links.
Huffington Post co-founder Arianna Huffington will be in charge of all AOL content (whatever that means), and incidentally help AOL turn around its advertising side, which is not doing very well at all, the company being bogged down in its image as one of the originators of dial-up internet.
In wonderful press release garble-ese, the claim is that the deal 'will create a next-generation American media company with global reach that combines content, community, and social experiences for consumers.'
One wonders who the hell wrote that, but it was actually spoken by AOl CEO Tim Armstrong, early Monday.
Wonder of wonders, $300 million will be paid in cash.
The imagination boggles. What will the handover actually look like? Men in black suits holding suitcases full of folding bills?
Joking aside, one wonders very seriously how this will affect the liberal political tone of Huff Post. Will it be tolerated, or even enhanced, or will something awful happen?
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